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Publications


Posted: October 26, 2007

Forthcoming

  • “Virginia Woolf, Art Galleries and Museums” in Maggie Humm (editor) The Edinburgh Companion to Virginia Woolf and the Arts (Edinburgh: Edinburgh University Press,  2009).
  • Review of Ann Martin’s “Red Riding Hood and the Wolf in Bed: Modernism’s Fairy Tales” (Toronto: University of Toronto Press, 2006) in Woolf Studies Annual (vol. 14).
  • “Woolf, Fry, and The Psycho-Aesthetics of Solidity” in Lisa Shahriari and Gina Potts (editors) Virginia Woolf’s Bloomsbury: Aesthetic Theory and Literary Practice (Palgrave Macmillan).
  • “Woolf, Fry, and The Psycho-Aesthetics of Solidity” in Lisa Shahriari and Gina Potts (editors) Selected papers from Back to Bloomsbury, the 14th Annual International Conference on Virginia Woolf (Clemson University Digital Press).
Published
  • “Borderline Personalities: Woolf Reviews Kapp” in Anna Burrells, Steve Ellis, Deborah Parsons and Kathryn Simpson (editors), Woolfian Boundaries: Selected Papers from the Sixteenth Annual Conference (Clemson University Digital Press, 2007).
  • “The Twentieth Part: Virginia Woolf in the British Museum Reading Room,” in Literature Compass (Blackwell Publishing: http://www.literature-compass.com/).
  • “The Twentieth Part: Word and Image in Woolf’s Reading Room” in Helen Southworth and Elisa Kay Sparks (editors), Woolf and the Art of Exploration: Selected Papers From the Fifteenth Annual International Conference on Virginia Woolf (Clemson: Clemson University Digital Press, 2006), 103-11.
  • “A Conversation with Rodger Roundy” in Number: An Independent Arts Journal, no. 57, Fall 2006, 6-7.  
  • Review of Wayne Andersen’s Cézanne and the Eternal Feminine (Cambridge University Press, 2005) in H-France (http://h-france.net/vol6reviews/harvey2.html).
  • “Charles and John, Or, On Letting Go and Holding On” in the Virginia Woolf Bulletin, no. 17, September 2004, 17-26.
  • “The Critic Vanishes? Roger Fry’s Contribution to the Encyclopaedia Britannica” in The Charleston Magazine: Charleston, Bloomsbury and the Arts, Issue 24, Autumn / Winter 2001, 15-20.
  • “‘The Irony of the Situation’: Fry, Daumier and the New York Times,” in The Charleston Magazine: Charleston, Bloomsbury and the Arts, Issue 23, Spring / Summer, 2001, 15-16.
  • “Cézanne versus Cézanne: Roger Fry’s Double Story” in The Northwestern Journal of Art History, vol. 1, Fall 2001, 1-9.
  • “Cézanne and Zola: Reassessment of ‘L’Eternel feminine’” in The Burlington Magazine, no. 1142, vol. CXL, May 1998, 312-318.
  • “Cézanne’s Apples.”  Letter to the British newspaper, The Independent, February 13, 1996, p.18.
  • “Episodes Apart” in Sheila Harvey (editor), Sheila’s Story (Spring 2003: Somerset Virtual College NHS Publications).

Talks


Posted: October 26, 2007